Best British Horror

 

We at Alchemy Academy are delighted that editor Johnny Mains has selected three stories from The Alchemy Press Book of Horrors for next year’s Best British Horror. Here’s the full line up:

CAVE VENUS ET STELLA – Anna Vaught
WORMCASTS – Thana Niveau
THEY TELL ME – Carly Holmes
DISAGREEABLY HITCHED – Gary Fry
PACK YOUR COAT – Aliya Whiteley
VOICES IN THE NIGHT – Lisa Tuttle
THE FULLNESS OF HER BELLY – Cate Gardner
MAW – Priya Sharma
TEUFELSBERG – Madhvi Ramani
THE OTHER TIGER – Helen Marshall
SENTINEL – Catriona Ward
THE WORM – Samantha Lee
THE ADJOINING ROOM – AK Benedict
THE GOLDEN HOUR – Rosanne Rabinowitz
THE PERFECT DAY TO BE AT SEA – Kayleigh Marie Edwards
THE HARDER IT GETS THE SOFTER WE SING – Steven Dines
THE DEMON L – Carly Holmes
BY SEVERN’S FLOOD – Jane Jakeman
FISH HOOKS – Kit Power
OLD TRASH – Jenn Ashworth
BOBBO – Robert Shearman

We’ve highlighted the stories from Horrors.

The Alchemy Press Book of Horrors is available in print form and for a variety of eBook platforms. And while you wait for the next volume of Best British Horror we suggest you read this year’s book (published by the excellent Newcon Press). The cover for BBH 2018 is by the extremely talented  Daniele Serra.

 

 

 

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Horrors — mini review

Belated Hallowe’en wishes from The Alchemy Press. Hope things went with a satisfying bump last night.

John Llewellyn Probert  purchased a copy of The Alchemy Press Book of Horrors, read it, and says this on his Facebook page:

I love horror anthologies and FantasyCon has provided me with a delicious surfeit of them. First up is this, a truly impressive achievement by Peter Coleborn and Jan Edwards. I’m not going to cite individual stories, suffice to say there’s not a bad one in here, and a few are amongst the best horror stories I’ve read in ages. Full marks for that lovely cover as well, which is reminiscent of the old 1950s Four Square horror anthologies. A terrific book, highly recommended, and I would definitely buy a volume 2. Well done, guys.

Horrors is now available via Amazon and other online booksellers. A Kindle version will be available soon, followed by other eBook formats

 

 

Fables and Fabrications

Regular Alchemy Press editor Jan Edwards’ collection, Fables and Fabrications, has received a rather splendid review by Andrew Darlington. He describes the book thus:

You’ll be drawn to this book – in her words, like a hungry she-bear scenting tethered sheep. Announced as ‘fourteen tales of mystery, mirth and the macabre’ this is not the grind-core slasher-horror of gut-wrenching torture-porn, more the luring strangeness of some lost golden age.

Pop over to the Our Fantasy Realm website to read more.

 

Compromising the Truth

Now available!

Compromising the Truth by Bryn Fortey

Back in 2014 The Alchemy Press published Bryn’s first collection, Merry-Go-Round and Other Words. Now, four years on, we have his second book — full of equally stunning stories and poems.

In Compromising the Truth we have eighteen stories plus two dozen poems of the weird and wonderful: a touch of science fiction, a tidbit of horror, a sprinkling of the strange.

From Adrian Cole’s introduction:

“His stories reflect a clear understanding of the human condition and he imbues his characters with knowing insights. The tales vary from stark, unnerving urban horror, to blackly humorous, almost preposterous fantasy, although even these hugely entertaining yarns are seated in reality. “

Cover by Peter Coleborn

 

 

What’s in Horrors?

There was an avalanche of stories submitted to The Alchemy Press Book of Horrors – especially in the final month of the submission’s window. To be honest, we didn’t expect to receive around 310 manuscripts seeking a home in this anthology. We were worried that we’d have too few submissions.

We read the stories as soon as possible after receiving them (but as indicated, January was a particularly busy month), maintaining a database of comments in order to narrow down to a shortlist.

Yet we managed it quickly – and then the shortlist itself needed to be pruned, and even so we couldn’t cut back to the original idea: an anthology containing a dozen stories. So we succumbed and settled on 25 stories. Without further ado, in alphabetical order (alphabetically by first name that is!), here’s what you’ll be reading in the latter part of 2018.

  • Adrian Cole: Broken Billy
  • Cate Gardner: The Fullness of Her Belly
  • Debbie Bennett: The Fairest of them all
  • Gail-Nina Anderson: An Eye for a Plastic Eye
  • Gary McMahon: Guising
  • James Brogden: The Trade-Up
  • Jenny Barber: Down Along the Backroads
  • John Grant: Too Late
  • Keris McDonald: Remember, Remember
  • Madhvi Ramani: Teufelsberg
  • Marie O’Regan: Pretty Things
  • Marion Pitman: The Apple Tree
  • Mike Chinn: Her Favourite Place
  • Peter Sutton: Masks
  • Phil Sloman: The Girl with Three Eyes
  • Ralph Robert Moore: Peelers
  • Ramsey Campbell: Some Kind of a Laugh
  • Ray Cluley: Bluey
  • Samantha Lee: The Worm
  • Stan Nicholls: Deadline
  • Stephen Laws: Get Worse Soon
  • Storm Constantine: La Tenebreuse
  • Suzanne Barbieri: In the Rough
  • Tina Rath: Little People
  • Tony Richards: The Garbage Men

In addition, the book will be garnished with a range of Jim Pitt illustrations. We aim to make this book one you’ll treasure.

 

Sub window closes

No, not that type of sub.

The submission window for The Alchemy Press Book of Horrors is now closed. We have received 297 submissions to wade through (sorry, to read), make shortlists, and then finalised the table of contents. We hope to start contacting folk in a few weeks. Please be patient.

 

 

Horrors — Notes

Further information regarding the submission details for The Alchemy Press Book of Horrors:

  • We accept stories from anywhere in the world (the galaxy, even) if written in English
  • We only accept email submissions
  • We are looking for new stories although reprints may be considered
  • Please present your manuscript as a Word document (or RTF or similar) using standard formatting (double spacing, etc).
  • And you must include your name and contact email on the manuscript itself.