Alchemy Press Book of Horrors 2

The Alchemy Press Book of Horrors volume 2

Strange Stories & Weird Tales. Edited by Peter Coleborn & Jan Edwards

Available in eBook and print formats from Amazon and elsewhere.

Strange stories and weird tales and all of the creeping horrors in between. Horrors 2 features seventeen fabulous writers, including Sarah Ash, Paul Finch, John Grant, Nancy Kilpatrick, Garry Kilworth, Samantha Lee … to lead you on a spine-tingling tour from seaside towns to grimy cities, to the lonely and secret places, from the fourteenth precinct to Namibia … and so many places in between.

  • Gail-Nina Anderson          Henrietta Street
  • Sarah Ash                        I Left My Fair Homeland
  • Debbie Bennett                I Remember Everything
  • Mike Chinn                       Digging in the Dirt
  • Paul Finch                        What Did You See
  • Sharon Gosling                Every Bad Thing
  • John Grant                       The Loneliest Place
  • John Howard                    The Primordial Light
  • Tim Jeffreys                      Black Nore
  • Eyglo Karlsdottir               Footprints in the Snow
  • Nancy Kilpatrick               Promises
  • Garry Kilworth                  Lirpaloof Island
  • Samantha Lee                 The Secret Place
  • Pauline Morgan               Beneath Namibian Sands
  • Thana Niveau                  The Hate Whisperer
  • John Llewellyn Probert    Hydrophobia
  • Peter Sutton                    We Do Like to Be Beside
  • Illustrated by Jim Pitts
  • Cover by Peter Coleborn


Whether your favourite place on the horror spectrum is the unnerving and sinister or the outright gory, there will be something to scare and intrigue you here. In this way this second outing for The Alchemy Press Book of Horrors delivers on what it sets out for itself: a selection that showcases horror as the broad church it is. With a preference for the spooky and psychological over the outright bloody, there is plenty of treasure here for the digging. If there’s sometimes a bit too much digging involved, where more aggressive editing could have made that treasure shine brighter, it’s still very much worth the effort.

Expect strong voices and memorable storylines and characters – I Remember Everything by Debbie Bennett and Footprints in the Snow by Eygló Karlsdóttir are particularly satisfying, and the latter is all the scarier for being very relatable right now. For exquisite moments of good old ghostly imagery, The Hate Whisperer by Thana Niveau is an impressive psychological picture; another is The Secret Place by Samantha Lee: a moving portrait of childhood friendship that is as amusing as it is sinister, sad and spooky. Hydrophobia by John Llewellyn Probert, a deeply claustrophobic underwater nightmare that starts leaking into the waking world, is a particularly cold and powerful tale.

In a world where short fiction, small presses, and horror itself have to work that bit harder for their shelf space, the importance of assertive editing for momentum and effect is all the stronger if the horror genre is to show it has the same (if not more) potential for depth and richness as any other. While there is a pervasive sense of words that are too often an end in themselves rather than the conduit for meaning, atmosphere, character, and story they need to be for maximum effect and momentum, the images themselves and the societal what-ifs they represent will stay with you long after you put the book down.

Reviewed by Rachel Knightly, Starburst


The short fiction market continues to be a tough sell. Few of the magazines that took submissions in the golden ages of genre fiction now exist and those that do are inundated by new authors who believe that writing a short story is easy and quicker than penning a novel. In fact, the short story is no easier to write than a novel or poem and writing a good one demands talent as well as perseverance.

Fortunately, the market for genre short fiction still thrives in the professional publishing arena with publishers such as Jo Fletcher Books, Titan and PS Publishing holding the torch aloft, but it is often in the independent/small press field through which the very life blood of the horror and fantasy genres flows. The writers who appear in small press collections may not have the PR power of Stephen King but their fiction is no less honed and polished for eager readers.

The Alchemy Press Book of Horrors 2 continues this tradition. Many of the names listed in the Contents may not be well known to anyone except horror and fantasy aficionados but their work speaks for itself. This sequel to …Horrors 1, which was published in November 2018, contains seventeen brand new tales from the likes of a cohort of mainly British and American authors including the late John Grant (in whose memory this anthology is dedicated), Nancy Kilpatrick, Samantha Lee, Garry Kilworth, Peter Sutton (well known to readers of Phantasmagoria) Debbie Bennett and Mike Chinn. Each story is beautifully headed with a black and white illustration by genre legend Jim Pitts.

The anthology is headed with a short but stimulating ‘Preface’ in which editors Peter Coleborn and Jan Edwards highlight the positives of diversity in the types of tale included to send a quiver of anticipation and dread down the reader’s spine. And these tales are all designed to attract a wide diversity of audience.

Amongst my favourites from this anthology: ‘Beneath Nambian Sands’, by Pauline E Dungate, in which an investigation into holes in the sand leads to a deadly terror crawling its way up to the surface. John Grant’s ‘The Loneliest Place’, in which police plan to trap the Kreep Killer using a very special little girl as bait. ‘Promises’, by Nancy Kilpatrick sees a devil-may-care biker seeking shelter from a storm in what he at first thinks is a cafe but turns out to be a strange museum and a promise made beyond death.

Samantha Lee’s ‘The Secret Place’ is one of my favourite haunting new tales in this anthology. A young girl called Poppy befriends a boy in an ancient Welsh mansion, but it soon becomes apparent to her that he is much older than he looks and could endanger both her and her mother as the Man With the Sack approaches. John Llewellyn Probert’s ‘Hydrophobia’ is a weirdly claustrophobic tale of Tamara, a woman who dreams of living in an underwater world that begins to seep into her waking reality in all sorts of startling ways. And, in ‘What Did You See?’, another of my favourites, Paul Finch spells out the dangers of using ancient love charms, no matter how innocuous they may appear.

Garry Kilworth takes an April Fool’s prank for a spin when an employee disappears after being sent to a non-existent island in ‘Lirpaloof Island’. Debbie Bennett’s ‘I Remember Everything’, examines the mythology behind invisible companions who don’t always turn out to be so friendly. Peter Sutton teaches that it is rude to stare in ‘We Do Like to Be Beside’, and, in another of my favourites, Eyglo Karlsdottier evokes a weird, unsettling world in which the dead return like zombies frozen in time in ‘Footprints in the Snow’.

The protagonist of Thana Niveau’s ‘The Hate Whisperer’, feels ‘watched, stalked and preyed upon’ when viewing a picture taken by esteemed photographer Volmer. But, what is the secret of the girl that picture with such hate and fury in her eyes? ‘Black Nore’ is the name of a brooding lighthouse, the bleak setting for a tale told through an unreliable witness by Tim Jeffreys. In ‘Henrietta Street’, by Gail-Nina Anderson, an academic staying with two colleagues at an old Whitby house begins to hear noises in the walls.

‘Every Bad Thing’, by Sharon Gosling, charts the trials and tribulations of a young woman who believes that bad things come in more than three, who as a child, was abandoned on the moors to be looked after by animals and now constantly fights her feral nature and the fury she has for the local townsfolk. Sarah Ash’s ‘I Left My Fair Homeland’ follows Bela as he laments his exile from his Hungarian homeland and attempts to come to terms with his new surroundings in the face of rejection. ‘Digging in the Dirt’, by Mike Chinn, is quality pulp fiction, featuring eternal beings, magic and alchemy. And finally, John Howard’s ‘The Primordial Light’ ponders what would happen if it was possible to open a piece of ‘star glass’ and release what lies within.

This second volume of The Alchemy Press Book of Horrors is an eclectic selection in the very best of short horror fiction, much of it subtle rather than gory, but with streaks of genuine unearthly unease, cosmic terror and inhuman angst running through each offering. The editors are acknowledged and seasoned hands at anthology publishing and anyone who loves the horror genre will find a home within this selection’s pages. The only slight regret is that you won’t find this book on the shelves of big bookstores like Waterstones and WH Smith where it would sit comfortably amongst the Kings, Hills and Gaimans. That said, horror fans should make that extra effort to support independent publishers and small press. Go online now and make that order. The Alchemy Press Book of Horrors 2: Strange Stories & Weird Tales is published by The Alchemy Press and is available to purchase from Amazon and other outlets.

Reviewed by John Gilbert. Originally published in Phantasmagoria Magazine 14


Horror like any genre has some extremes. It could a gentle scare to full-on bloodbath. Sometimes reading helps you work out where your boundaries are or how far into the deep waters I’m prepared to go before turning back. The second Alchemy Press Book of Horrors managed to do just that as many of the stories were brilliantly done but blimey there were often chilling.

So if you’re feeling ready for rich darkness here are a few of the tales in the collection I got struck by Beneath Nambian Sands by Pauline E Dungate. This is a atmospheric tale of someone trying a rescue mission in the desert. Its clear something weird has happened but Dungate winds up tension to the last possible moment. And then bloodily unleashed.

Promises by Nancy Kilpatrick. This story in the collection that tells of love, loss and Whitstable. Horror movie fans may recall it’s famous resident. Melancholy and strange with a haunting ending.

The Secret Place by Samantha Lee. A mother and her daughter move to a old house or a writing retreat. The daughter left to her own devices make a new friend but tragedy is coming, This story is dark and unfair and chilling all at once. You’ll feel a shiver in the end.

Lirpaloof Island by Garry Kilworth. This story is dark comedy tale of an office prank that goes awry with deadly consequences. It mixes the absorb and the horror skilfully.

The Hate Whisperer by Thana Niveau. A really cold story where a young woman investigates how certain people when photographed experienced a massive and deadly change in their personalities. Nasty events spiral and the end is shocking and bloody.

We Do Like To Be Beside by Peter Sutton. A summer horror holiday that covers a nasty nightmare and that plays with the desire to be free of our families in a very unpleasant way. Great sense of building horror for the incident child experiencing events.

Foot prints in the Snow by Eyglo Karlsdottir. This tale mixes a weird world event with family grief. The dead can return when it snows and now snow can happen at any time. A mother finds her dearest wish can be deadly. Unsettling and bittersweet.

A collection with many strands of horror in there and I think gives a variety of experiences but when it wants to get its teeth into you it does. A set of tales I think seasoned horror fans will enjoy a lot.

Reviewed on Runalong the Shelves website